On April 15, 2007, five young Muslim girls were barred from competing in a World Tae Kwon Do Federation tournament after they refused to remove their hijab’s (head covering). The girls, ages ranging from 8 to 13, were all Muslims of Lebanese descent and members of the Ultimate Tae Kwon Do Club in Montreal, Quebec. The girls were told they could not compete in the Raymond Mourad provincial tournament in Longueuil, unless they removed their hijab’s, which was deemed a safety risk that violated competition rules. The details of the story are provided at this link.
A good friend of mine asked me to comment on this story. I’m not exactly sure why my friend asked me to comment. Since this event took place in my home country, was I supposed to comment as a Canadian? Or was I supposed to comment since I am a member of a martial arts association (albeit not the association identified in the story)? I decided to comment based on the fact that I am a member of the human race, and this story kinda tugs at my heart (as I am guessing my friend thought it would).
But first, let’s get a little background here:
First, let’s define what we mean by “hijab”. A quick Google search provides several definitions for the word “hijab”. In western countries, “hijab” refers to a scarf worn by Muslim women to cover the head, leaving the face exposed. In Canada, one can have a driver’s license picture taken while wearing the hijab because it does not conceal the facial identity of the wearer.
In certain Muslim countries, “hijab” does not refer to an article of clothing, rather it refers to a modest dress code for both men and women, although the specific meaning can vary from place to place.
In contrast, a “niqab” is a face veil worn by some Muslim women along with a hijab. A niquab may cover the lower face, or the entire face, excepting the eyes. In some countries, Saudi Arabia for example, the complete facial covering is also known as a “burqa”.
Second, this story is very familiar to another story that made the rounds on the Canadian news circuit. In February, an 11-year old girl was expelled from an amateur soccer game for wearing a hijab. This event also took place in Quebec. Officials in the Quebec Soccer Fedaration, the Quebec Soccer Association and FIFA, the international soccer federation upheld the decision of the referee (who is also Muslim), to not allow the girl to play. This despite the fact that FIFA rules do not ban religious or non-religious head scarves, provided they do not present a danger to players.
Third, according articles in National Post and the Globe and Mail, this was the first year that the five young Muslim girls at the tae kwon do competition were told they couldn’t participate in the event because of their hijab’s. The girls were present at the last year’s tournament and faced no challenges to competing while wearing the traditional clothing underneath their sparring headgear. Raymond Mourad, the tournament organizer, wanted to let the girls compete again this year and alert them of the apparent change in tournament rules for forthcoming tournaments, but his pleas went unheard.
Fourth, I contacted my own martial arts organization, the World Tang Soo Do Association to ask if a similar situation had been experienced at a tournament. As far as I’ve been told, nobody has been expelled from a WTSDA tournament for wearing religious headwear. The Tang Soo Do Black Belt Manual and the Championship Official Rule Book both have rules for the official dobohk (uniform) and/or dress uniform (blue jacket and pants). It specifies the permitted markings, patches, flags, trim on the uniform, as well as the head, foot, hand, mouth and groin protection for sparring competitions. The rules state that contestants “must not wear any articles which may incur injury or endanger opponents (no jewelry)”. No specific references are made either allowing or prohibiting religious headwear.
Given that background, here’s how I feel about the story. The referee’s in both the February and April events said that they made their rulings based on safety for the competitor. The argument presented in each case what that a hijab may potentially pose a threat to a competitor’s safety, say if accidently grabbed, it may present a choking hazard. After doing a bit of online research I’ve discovered that women from Indonesia, Iran, Egypt and other Muslim countries who routinely participate in international tae kwon do competitions have not been banned from competition for wearing a hijab. In Muslim countries women who participate in sports, wear specially designed hijab’s with Velcro, and other quick-release attachments that reduce the risk of injury. Muslim women who participate in martial arts, wear the hijab underneath the traditional head guard worn for sparring competitions and thus generally out of reach. Which begs the question if a hijab poses any more of a choking hazard compared to the traditional competition headgear?
My personal feeling is: I think it’s cool that Muslim women have the opportunity to compete in martial arts tournaments and other team sports, which I feel is an empowering way of expressing one’s self. I am willing to bet that we will see more young Muslim girls competing in sports, and as long as they wear a hijab designed for sport competitions, they should be allowed to compete.
And as long as we’re talking “safety” here: let’s be real. Martial arts sparring competitions generally involve two people attempting to kick and punch each other to earn points. Granted, there is a lot of control involved and the rules generally call for no-contact or very light contact. But still, there’s a lot of hands, feet, knees and elbows flying around in your basic sparring competition, and even in you basic soccer match. Sports are intrinsically risky and it’s impossible to engineer out all the risk involved. The true value of any sport is that it teaches the practitioner how to manage risky situations. The practitioner learns how to play with safety in mind, how to accept a win and a loss with good grace, and how to unite in the spirit of competition and good-sportsmanship.
In my opinion the ruling made against the Muslim girls in February and April, have little to do with safety. It had more to do with the Quebec provincial elections and the current backlash against “reasonable accommodation” and political correctness. These events are a few in a long list of cases where the Quebec population questioned how far they had to bend in order to satisfy the reasonable accommodation of a select few:
Item: Should men be banned from pre-natal classes in order to not offend Sikh, Hindu and Muslim class members?
Item: Should the windows at a community gym be obscured so that the young men at an Orthodox synagogue across the street are prevented from seeing young women in workout clothes?
Item: Should a large wooden crucifix be removed from the Quebec national assembly?
Item: Should a woman be fired from her job at a corrections facility because she wears a hijab?
These are complex issues, and I can’t rightly say I have an answer for each one. These issues are part of the general Canadian debate, and are apparently garnering international attention. We discuss these issues across the nation, and argue based on fact, experience and emotion. As always I’m curious to hear your opinions. Please feel free to post your questions comments and responses below, starting on your opinions on the five Muslim tae kwon do competitors. (FYI, the World Tae Kwon Do Federation has responded to the April 15th ruling. You can read the result by clicking this link),I would like to post your comments in a follow up ‘blog.
Monday, April 30, 2007
Thursday, April 12, 2007
All Time Best Screenplays
A movie screenplay serves two purposes. First of all it is the functional blueprint for the production company. A screenplay can be broken down so that the number crunchers can itemize the budget, number of cast, number of crew, number of locations, props, sets, quantity of photo stock, etc. And thus like any functional document, it’s not the easiest thing to read. But a screenplay also must serve the artistic gods. It must tell a story. It must be readable enough for the cast and crew to be inspired by the tale, and to find the voices of the characters that speak through it. Thus screenplays are necessarily very important documents.
One of my favorite hobbies is reading and collecting screenplays, a hobby made infinitely easier because of the internet. The following list presents my Top 5 favorite screenplays:
5) Spiderman, a “scriptment” by James Cameron.
Generally screenplays follow a very strict and precise format, but James Cameron (widely known for thinking outside the box) generally writes the initial drafts of his movies in a rambling, ungainly, but utterly fun-to-read hybrid of script and prose text which he calls a “scriptment”. These “scriptments” are a free form, free association documentation of Cameron’s creative process, and they prove fascinating and can hold up on repeated readings.
The Spiderman scriptment is particularly interesting because although Cameron’s version of the movie was not ultimately produced, many of the details we see in Sam Rami’s movies can be attributed to Cameron. He is an avowed Spiderman fan, and reportedly worshipped the character as a child, and not surprisingly, he developed concepts that are now indelibly a part of the Spiderman canon.
The Kill Bill screenplay contains special treats for collectors like me. It is annotated with Tarantino’s notes, providing insight into his cinematic inspirations, and highlighting how important the role music cues play in his movies. It’s wonderfully verbose and contains many scenes and storylines not shown in the ultimate release, but give great depth to the tale of the “Blood-splattered Bride”.
My favorite part of the screenplay is how he originally intended “Chapter 8 – The Cruel Tutelage of Pei Mei” to be filmed as an old-fashioned, Shaw Brother’s kung fu flick, complete with old Shaw Bros. footage, bad-dubbing by New Zealand voice actors, super-zoom close ups, and starring Lo Lieh, who originated the Pei Mei role back in the ‘70’s (unfortunately, Lo Lieh passed away before filming began).
You can find all ten chapters of Kill Bill right… here
The all time best screenplay is…
One of my favorite hobbies is reading and collecting screenplays, a hobby made infinitely easier because of the internet. The following list presents my Top 5 favorite screenplays:
5) Spiderman, a “scriptment” by James Cameron.
Generally screenplays follow a very strict and precise format, but James Cameron (widely known for thinking outside the box) generally writes the initial drafts of his movies in a rambling, ungainly, but utterly fun-to-read hybrid of script and prose text which he calls a “scriptment”. These “scriptments” are a free form, free association documentation of Cameron’s creative process, and they prove fascinating and can hold up on repeated readings.
The Spiderman scriptment is particularly interesting because although Cameron’s version of the movie was not ultimately produced, many of the details we see in Sam Rami’s movies can be attributed to Cameron. He is an avowed Spiderman fan, and reportedly worshipped the character as a child, and not surprisingly, he developed concepts that are now indelibly a part of the Spiderman canon.
For example, it was Cameron who came up with the “genetically modified” concept for the spider that ultimately gives Peter Parker his powers, as opposed to the “radioactive” spider in the original comic books. Cameron also theorized that Peter Parker’s web spinning ability developed due to mutation after exposure to the spider. In the comic books, Peter Parker developed a chemical formula for “web fluid”. James Cameron preferred the mutation approach after correctly opining that a teenager on his own could never develop a chemical formula that has eluded Dow Chemical for decades.
In its rough form, the Spiderman scriptment is basically un-shootable, but it’s fun to imagine how cool the movie would be if James Cameron was able to develop the screenplay.
You can find the Spiderman scriptment right…here.
4) Dogma, by Kevin Smith.
If God ever commissions Kevin Smith to write a new book for the Bible, I’ll attend church waaaay more often! The Dogma screenplay shows off Kevin’s gift as a writer. Full of colorful ideas, great characters and profane (and profound) language, Dogma is a great is just a great read! I’d have to say I enjoyed Smith’s concept of the “Last Scion” much better than Dan Brown’s application of the same idea in The DaVinci Code. (Am I the only one who thinks The DaVinci Code would have been much better if it featured a demon made of human feces?)
I once bought a ticket to visit Kevin Smith’s Secret Stash comic book shop in Red Bank, NJ, and I got to meet the man, himself. Not only did I get to see pre-released Dogma special effects footage, I was lucky enough win a ticket to see Dogma in a test screening in Red Bank months before it came out in general release. The screening was hosted by Kevin Smith, himself and I had a great time. But, it could be argued that Dogma is a lot better as a screenplay than as an actual movie. I wouldn’t consider it one of the best “View Askew” films (that credit would go to Clerks II), but it certainly is the best screenplay.
So, if you haven’t yet seen the movie, give the screenplay a try. You can find it right… here.
3) Black Snake Moan by Craig Brewer.
I am an avid reader, and I enjoy the experience of curling up with a good book, comic, screenplay… whatever. Sometimes, very rarely, I find a book so engrossing that “reading” is too passive a term for the experience. It’s more that I am transported to the world inside the book. I mean it, man! It’s like I can actually smell, feel, taste and touch the world described in the book. The Color Purple is one of those books that transport me to another world. The same thing happened the first time I read Harry Potter and the Half-Blood Prince (I did that book in a marathon 24-hour session and had to call in sick at work on the following Monday because I needed the rest). Now I can add the screenplay for Craig Brewer’s Black Snake Moan to the list.
I’m becoming a big fan of Craig Brewer. Hustle and Flow was one of the more enjoyable movies of 2005, and I can’t wait to see BSM (on DVD, I missed the theatre release). If the movie is a true reflection of the screenplay, I am preparing to get my socks knocked off. Dirty South, baby. I can hear the cicada’s, I can feel the sun’s heat on my back, and that red silty soil on my feet. I can smell the cooking… taste the roasted corn... There’s the strumming of a blues guitar just around that corner…
In its rough form, the Spiderman scriptment is basically un-shootable, but it’s fun to imagine how cool the movie would be if James Cameron was able to develop the screenplay.
You can find the Spiderman scriptment right…here.
4) Dogma, by Kevin Smith.
If God ever commissions Kevin Smith to write a new book for the Bible, I’ll attend church waaaay more often! The Dogma screenplay shows off Kevin’s gift as a writer. Full of colorful ideas, great characters and profane (and profound) language, Dogma is a great is just a great read! I’d have to say I enjoyed Smith’s concept of the “Last Scion” much better than Dan Brown’s application of the same idea in The DaVinci Code. (Am I the only one who thinks The DaVinci Code would have been much better if it featured a demon made of human feces?)
I once bought a ticket to visit Kevin Smith’s Secret Stash comic book shop in Red Bank, NJ, and I got to meet the man, himself. Not only did I get to see pre-released Dogma special effects footage, I was lucky enough win a ticket to see Dogma in a test screening in Red Bank months before it came out in general release. The screening was hosted by Kevin Smith, himself and I had a great time. But, it could be argued that Dogma is a lot better as a screenplay than as an actual movie. I wouldn’t consider it one of the best “View Askew” films (that credit would go to Clerks II), but it certainly is the best screenplay.
So, if you haven’t yet seen the movie, give the screenplay a try. You can find it right… here.
3) Black Snake Moan by Craig Brewer.
I am an avid reader, and I enjoy the experience of curling up with a good book, comic, screenplay… whatever. Sometimes, very rarely, I find a book so engrossing that “reading” is too passive a term for the experience. It’s more that I am transported to the world inside the book. I mean it, man! It’s like I can actually smell, feel, taste and touch the world described in the book. The Color Purple is one of those books that transport me to another world. The same thing happened the first time I read Harry Potter and the Half-Blood Prince (I did that book in a marathon 24-hour session and had to call in sick at work on the following Monday because I needed the rest). Now I can add the screenplay for Craig Brewer’s Black Snake Moan to the list.
I’m becoming a big fan of Craig Brewer. Hustle and Flow was one of the more enjoyable movies of 2005, and I can’t wait to see BSM (on DVD, I missed the theatre release). If the movie is a true reflection of the screenplay, I am preparing to get my socks knocked off. Dirty South, baby. I can hear the cicada’s, I can feel the sun’s heat on my back, and that red silty soil on my feet. I can smell the cooking… taste the roasted corn... There’s the strumming of a blues guitar just around that corner…
Too much, baby…. too much…
You can find Black Snake Moan right… here.
2) Kill Bill by Quentin Tarantino.
Take Stanley Kubrick, Elmore Leonard and Roger Corman (add a touch of James Ellroy), put them into a blender and grind them up, and you would have the genetic material to make another Quentin Tarantino. He is one of the few filmmakers equally adept at making a truly cinematic movie, and producing a uniquely literary screenplay at the same time. Kill Bill is structured like a novel, in both movie and script form. Unlike most screenplays, it is separated into chapters, not into scenes, and thus can stand alone as its own document (and in my opinion, should be marketed just like the movie).
You can find Black Snake Moan right… here.
2) Kill Bill by Quentin Tarantino.
Take Stanley Kubrick, Elmore Leonard and Roger Corman (add a touch of James Ellroy), put them into a blender and grind them up, and you would have the genetic material to make another Quentin Tarantino. He is one of the few filmmakers equally adept at making a truly cinematic movie, and producing a uniquely literary screenplay at the same time. Kill Bill is structured like a novel, in both movie and script form. Unlike most screenplays, it is separated into chapters, not into scenes, and thus can stand alone as its own document (and in my opinion, should be marketed just like the movie).
The Kill Bill screenplay contains special treats for collectors like me. It is annotated with Tarantino’s notes, providing insight into his cinematic inspirations, and highlighting how important the role music cues play in his movies. It’s wonderfully verbose and contains many scenes and storylines not shown in the ultimate release, but give great depth to the tale of the “Blood-splattered Bride”.
My favorite part of the screenplay is how he originally intended “Chapter 8 – The Cruel Tutelage of Pei Mei” to be filmed as an old-fashioned, Shaw Brother’s kung fu flick, complete with old Shaw Bros. footage, bad-dubbing by New Zealand voice actors, super-zoom close ups, and starring Lo Lieh, who originated the Pei Mei role back in the ‘70’s (unfortunately, Lo Lieh passed away before filming began).
You can find all ten chapters of Kill Bill right… here
The all time best screenplay is…
1) Avatar, a “scriptment” by James Cameron.
James Cameron, that crazy Canuck gets the credit for having the best screenplay I’ve ever read. Remember back in the late ‘90’s, just after Titanic hit big, everybody was wondering what James Cameron’s next movie would be. Although he was publicly linked with Spiderman at one point, it was rumored that Cameron was working on a bunch of ultra top secret projects. In his case “top secret” was not just a euphemism. It turns out that Cameron is part of the scientific team for NASA’s Mars Science Laboratory, planned for launch in 2009. He’s also apparently been helping to unearth Jesus’s tomb. Man, that’s one busy dude!
In February 2007, James Cameron finally announced his next movie project after an almost 10 year hiatus. In an exclusive interview on the Ain’t It Cool News website, Cameron announced he would produce and direct his long-awaited “Project 880”, otherwise known as Avatar (not to be confused with "Avatar the Last Airbender"). Fan boys rejoiced! The Avatar scriptment had been kicking around the web for a few years, and the movie was reportedly un-produce-able because it required filming in 3D technology and photorealistic computer generated imagery that was years from even being conceptualized. Not one to wait for technology to catch up, Cameron is inventing new digital filming and projecting techniques specifically for this movie.
Avatar tells the tale of a paraplegic named Joshua, who lives on an environmentally devastated future Earth. Climate change, population growth, and rapidly depleting energy resources have turned Earth into a hell world. Governments have been replaced by international global corporations that control armies that wage war all across the globe (sort of like “Blue Sun”, natch!). Josh is given a chance to leave Earth on a grand adventure. Because of a unique gift, he is one of the few chosen to travel to a newly discovered planet in a neighboring star system. He is selected to be part of a science team responsible for communicating with the humanoid alien life forms that dwell on the new planet. But soon enough, Josh finds himself at the center of a conspiracy, and he alone has to prevent a crisis which may lead to inter-galactic war between the two planets.
You can find the scriptment to Avatar… nowhere! A few years before he announced the project, Lightstorm Entertainment quietly removed all traces of the scriptment from the World Wide Web. We just have to wait until the movie comes out in 2009.
James Cameron, that crazy Canuck gets the credit for having the best screenplay I’ve ever read. Remember back in the late ‘90’s, just after Titanic hit big, everybody was wondering what James Cameron’s next movie would be. Although he was publicly linked with Spiderman at one point, it was rumored that Cameron was working on a bunch of ultra top secret projects. In his case “top secret” was not just a euphemism. It turns out that Cameron is part of the scientific team for NASA’s Mars Science Laboratory, planned for launch in 2009. He’s also apparently been helping to unearth Jesus’s tomb. Man, that’s one busy dude!
In February 2007, James Cameron finally announced his next movie project after an almost 10 year hiatus. In an exclusive interview on the Ain’t It Cool News website, Cameron announced he would produce and direct his long-awaited “Project 880”, otherwise known as Avatar (not to be confused with "Avatar the Last Airbender"). Fan boys rejoiced! The Avatar scriptment had been kicking around the web for a few years, and the movie was reportedly un-produce-able because it required filming in 3D technology and photorealistic computer generated imagery that was years from even being conceptualized. Not one to wait for technology to catch up, Cameron is inventing new digital filming and projecting techniques specifically for this movie.
Avatar tells the tale of a paraplegic named Joshua, who lives on an environmentally devastated future Earth. Climate change, population growth, and rapidly depleting energy resources have turned Earth into a hell world. Governments have been replaced by international global corporations that control armies that wage war all across the globe (sort of like “Blue Sun”, natch!). Josh is given a chance to leave Earth on a grand adventure. Because of a unique gift, he is one of the few chosen to travel to a newly discovered planet in a neighboring star system. He is selected to be part of a science team responsible for communicating with the humanoid alien life forms that dwell on the new planet. But soon enough, Josh finds himself at the center of a conspiracy, and he alone has to prevent a crisis which may lead to inter-galactic war between the two planets.
You can find the scriptment to Avatar… nowhere! A few years before he announced the project, Lightstorm Entertainment quietly removed all traces of the scriptment from the World Wide Web. We just have to wait until the movie comes out in 2009.
Tuesday, April 03, 2007
In defense of comic-book movies... (For Nerds Only)
My brother, Ngai's, response to my critique of the movie 300 went something like this: "Ali, what do you expect from a comic book movie?" At the time I muttered an agreement to his comment, because to do otherwise would make me look like a nerd.
Other people have responded in a similar manner. The general consensus is that escapist fantasy movies like 300 and other comic book movies should not be looked at too deeply. They are tales that use general archetypes to tell a story. The good guys wear white, the bad guys wear black, and never the twain shall meet. In other words: no shades of gray.
But, folks, I am a nerd! A comic book and movie nerd to be exact and I do expect shades of gray in my escapist fantasy. Let’s forgo any comments on the possible racial/gender issues that the movie may or may not raise. (Being neither Persian or sly, I may not have had the qualifications to raise such issues in the first place.) Here is a list of five things I look for in escapist fantasy, and where 300 either satisfied or failed the criteria:
Top Five "Shades of Gray" that make for good comic book movies.
1) In comic book movies, the good guys should be... kinda bad.
A good example would be Wolverine in the X-Men movies. Comic book geeks around the world were so happy with Hugh Jackman's pitch-perfect rendition of Logan's bad-ass-itude and anti-hero angst. Moral ambiguity is a must for any memorable comic book movie hero. Another good example would be Tobey Maguire's Spiderman/Peter Parker. He may not be as bad-ass as Wolverine, but if Spiderman wasn't haunted by his guilty implications in his own uncle's death, he would just be a super-powered professional wrestler.
Where 300 went wrong: The hero, King Leonidas, was not really that deep. According to the story, here was a man who was leaving his beloved wife, his son, and the city he ruled to fight in a hopeless battle sure to end in the slaughter of himself and all of his most trusted friends. I don’t care if he was the most dedicated warrior in the whole entire world, it would have helped if his character showed more than just annoyance of having to go through the whole exercise. What if his character showed real second thoughts about fulfilling his warrior’s code, at the expense of a long life with his wife and son? I think that would have been a natural human emotion that any warrior would have to wrestle with, no matter how deeply indoctrinated he/she is to the warrior code.
2) In comic book movies, the bad guys should be a little sympathetic.
Remember that scene in the first Matrix movie, where Smith was tortured Morpheus while explaining how humanity is a virus. That was a truly creepy scene, because somewhere deep inside, you could sympathize with his logic. You might not agree with the logic, but you could sympathize. And thus the bad guy was that much more scary...
Where "300" went wrong: The character, King Xerxes, was played to be the total opposite of scary or sympathetic. I mean why waste 1,000,000 warriors on pissant little Sparta. Wouldn't it have made sense for him to conquer the weaker Greek territories armies, surround the city, and then destroy Sparta through political dissention and/or open warfare? Xerxes was wasteful, not in the least sympathetic, and his cause made no sense.
3) In comic book movies, the good guy and bad guy should have a rapport.
Notice how in all the Spiderman movies, Peter Parker has some sort of personal connection with the "Big Bad"? The Green Goblin was a potential father figure who connected with Peter Parker's scientific side. Doctor Octopus also had a connection with Peter, because essentially they were both nerds in love. That connection made it all the more tragic when these characters ultimately went bad.
Where "300" went wrong: The movie overlooked a major issue that would have added some depth to the narrative. King Leonidas and King Xerxes were both monarchs presiding at the very moment on history when the monarchy was dying making way for messy, “shades of gray” democracy. That would have been an awesome way to build rapport for the two, by highlighting how each ruler handled the decline of the monarchy. King Leonidas sacrificed himself to make way for a system that would promote individual freedom over ordained rule. Xerxes on the other hand decided to ride the whole royalty thing to its ultimate, decadent end, because he knew that as soon as he stopped warring, he would have to deal with million little annoying details with running the world (food supply, infrastructure, trading rights, tort law, corrupt ministers, and noisy special interest groups). Both characters may have been kings, but they were as trapped by the system as any other citizen. That kind of rapport was inherent in the comic, almost gift-wrapped for the movie makers. It's a crime they squandered it.
4) Comic book movies should be pure spectacle.
Stunts, special effects, computer graphics! No comic book movie should be without them! The Superman movies got it right, the Spiderman movies got it right, and the X-Men movies got it right. Just make sure that the spectacle serves the story, not the other way around.
Where "300" got it right: No denying it, "300" was a shot by shot spectacle. Every frame looked beautiful. The best part was that spectacular long take of Leonidas fighting the Persian warriors; as the film speed sped up and slowed down to highlight dramatic impacts. Phenomenal fight choreography, photo composition, cinematography and direction!
5) In comic book movies, the good guy should never win.
Sure they can win the battle, they can save the day and they should have a moment of glory. But... that moment of glory should be fleeting; at best... and ultimately the moment of victory should be rife with regret and sacrifice. Superman and Lois Lane should never live happily ever after, Peter Parker should never get rich, and the X-Men should never be accepted by the humans that they fight daily to save.
Where "300" got it right: SPOILER ALERT!!!King Leonidas sacrifices himself and his 300 at Thermopylae and dies in a hail of Persian arrows, and for what? Just to prove the "God King" was nothing more than human. Such a great ending! Too bad I could have cared less...
Other people have responded in a similar manner. The general consensus is that escapist fantasy movies like 300 and other comic book movies should not be looked at too deeply. They are tales that use general archetypes to tell a story. The good guys wear white, the bad guys wear black, and never the twain shall meet. In other words: no shades of gray.
But, folks, I am a nerd! A comic book and movie nerd to be exact and I do expect shades of gray in my escapist fantasy. Let’s forgo any comments on the possible racial/gender issues that the movie may or may not raise. (Being neither Persian or sly, I may not have had the qualifications to raise such issues in the first place.) Here is a list of five things I look for in escapist fantasy, and where 300 either satisfied or failed the criteria:
Top Five "Shades of Gray" that make for good comic book movies.
1) In comic book movies, the good guys should be... kinda bad.
A good example would be Wolverine in the X-Men movies. Comic book geeks around the world were so happy with Hugh Jackman's pitch-perfect rendition of Logan's bad-ass-itude and anti-hero angst. Moral ambiguity is a must for any memorable comic book movie hero. Another good example would be Tobey Maguire's Spiderman/Peter Parker. He may not be as bad-ass as Wolverine, but if Spiderman wasn't haunted by his guilty implications in his own uncle's death, he would just be a super-powered professional wrestler.
Where 300 went wrong: The hero, King Leonidas, was not really that deep. According to the story, here was a man who was leaving his beloved wife, his son, and the city he ruled to fight in a hopeless battle sure to end in the slaughter of himself and all of his most trusted friends. I don’t care if he was the most dedicated warrior in the whole entire world, it would have helped if his character showed more than just annoyance of having to go through the whole exercise. What if his character showed real second thoughts about fulfilling his warrior’s code, at the expense of a long life with his wife and son? I think that would have been a natural human emotion that any warrior would have to wrestle with, no matter how deeply indoctrinated he/she is to the warrior code.
2) In comic book movies, the bad guys should be a little sympathetic.
Remember that scene in the first Matrix movie, where Smith was tortured Morpheus while explaining how humanity is a virus. That was a truly creepy scene, because somewhere deep inside, you could sympathize with his logic. You might not agree with the logic, but you could sympathize. And thus the bad guy was that much more scary...
Where "300" went wrong: The character, King Xerxes, was played to be the total opposite of scary or sympathetic. I mean why waste 1,000,000 warriors on pissant little Sparta. Wouldn't it have made sense for him to conquer the weaker Greek territories armies, surround the city, and then destroy Sparta through political dissention and/or open warfare? Xerxes was wasteful, not in the least sympathetic, and his cause made no sense.
3) In comic book movies, the good guy and bad guy should have a rapport.
Notice how in all the Spiderman movies, Peter Parker has some sort of personal connection with the "Big Bad"? The Green Goblin was a potential father figure who connected with Peter Parker's scientific side. Doctor Octopus also had a connection with Peter, because essentially they were both nerds in love. That connection made it all the more tragic when these characters ultimately went bad.
Where "300" went wrong: The movie overlooked a major issue that would have added some depth to the narrative. King Leonidas and King Xerxes were both monarchs presiding at the very moment on history when the monarchy was dying making way for messy, “shades of gray” democracy. That would have been an awesome way to build rapport for the two, by highlighting how each ruler handled the decline of the monarchy. King Leonidas sacrificed himself to make way for a system that would promote individual freedom over ordained rule. Xerxes on the other hand decided to ride the whole royalty thing to its ultimate, decadent end, because he knew that as soon as he stopped warring, he would have to deal with million little annoying details with running the world (food supply, infrastructure, trading rights, tort law, corrupt ministers, and noisy special interest groups). Both characters may have been kings, but they were as trapped by the system as any other citizen. That kind of rapport was inherent in the comic, almost gift-wrapped for the movie makers. It's a crime they squandered it.
4) Comic book movies should be pure spectacle.
Stunts, special effects, computer graphics! No comic book movie should be without them! The Superman movies got it right, the Spiderman movies got it right, and the X-Men movies got it right. Just make sure that the spectacle serves the story, not the other way around.
Where "300" got it right: No denying it, "300" was a shot by shot spectacle. Every frame looked beautiful. The best part was that spectacular long take of Leonidas fighting the Persian warriors; as the film speed sped up and slowed down to highlight dramatic impacts. Phenomenal fight choreography, photo composition, cinematography and direction!
5) In comic book movies, the good guy should never win.
Sure they can win the battle, they can save the day and they should have a moment of glory. But... that moment of glory should be fleeting; at best... and ultimately the moment of victory should be rife with regret and sacrifice. Superman and Lois Lane should never live happily ever after, Peter Parker should never get rich, and the X-Men should never be accepted by the humans that they fight daily to save.
Where "300" got it right: SPOILER ALERT!!!King Leonidas sacrifices himself and his 300 at Thermopylae and dies in a hail of Persian arrows, and for what? Just to prove the "God King" was nothing more than human. Such a great ending! Too bad I could have cared less...
Sunday, April 01, 2007
Top Five Disturbing Things about the movie "300"
A buddy of mine copped a bootleg copy of the newly released movie "300" (I don't know where, and I didn't ask). Here are the Top Five most disturbing things I noticed about it:
5) Awful lot of men in underwear!
I mean tons of nearly-naked men, who it seems, have trained their abs to emote on the directors cue. I think the producers of "300" have actually created a new genre of film called: "military porn" (credit writer David Denby of the New Yorker Magazine for coining the term).
4) Good guys = white people; Bad Guys = dark skinned people from "Persia"
Yep, there is no better way to worsen the conflict in the Middle East than by releasing a movie where everybody east of "Sparta" is a bad guy. Why not add salt to the wound and claim that all Persians are sub-human freaks and/or sexually deviant!
3) Persians = Sexually deviant, sub-human freaks!
Somebody explain to me why Main Bad Guy, Persian King Xerxes is always forcing other men to "kneel before him". Is he supposed to be "gay"? If so, he must be the bad kind of "gay", y'know, "wearing jewelry and presiding over sex orgies, gay", as opposed to the Spartans, who are the good "don't ask, don't tell, rippling abs" kind of "gay".
2) Racism and the allusions to Christ.
Spoiler alert: Good King Leonidas, he of the "freedom isn't free" Spartans dies in a hail of arrows with his arms outstretched in a Christ-like fashion. (I wish I had a picture to show you.) "Damn! Those dark skinned, sexually deviant, sub-human, freak-like, Christ-killin', Je... uh, I mean,... Persians...!"
... and the single most disturbing thing about watching the movie "300"
1) The crazy subtitles.
As I mentioned I was watching a bootleg version and apparently the movie's subtitles were translated from English to a foreign language and back again to English. The resulting gibberish really gave the movie an unintended, but wholly compelling spin. For example, the dramatically delivered line:
"This is Sparta!"
was translated to:
"You must become aware that Sparta is the land you are standing in!"
Good times, baby.... good times...
On a marginally related topic, I would like to hereby start a new movement. Let's stop calling homosexual people "gay". From now on "gay" will be used to reference things that are kind of lame, like Britany Spears showing off her cooch, or the movie "300". For example, if your buddy shows up to work tomorrow with a "flock of seagulls" haircut, feel free to say:
"Dude, that is so gay! And by 'gay' I mean 'lame' not 'homosexual'... um... we're still friends, right...?"
If we as a society insist on using a derogatory term in reference to people of alternate sexual lifestyles, I suggest we use the term: "sly". As in:
"You know that guy Derek in HR? He's on the sly...!"
The term "sly" implies that Derek not only takes male lovers, but that he's somewhat smart and crafty, in a James Bondian sort of way.
... just a thought...
5) Awful lot of men in underwear!
I mean tons of nearly-naked men, who it seems, have trained their abs to emote on the directors cue. I think the producers of "300" have actually created a new genre of film called: "military porn" (credit writer David Denby of the New Yorker Magazine for coining the term).
4) Good guys = white people; Bad Guys = dark skinned people from "Persia"
Yep, there is no better way to worsen the conflict in the Middle East than by releasing a movie where everybody east of "Sparta" is a bad guy. Why not add salt to the wound and claim that all Persians are sub-human freaks and/or sexually deviant!
3) Persians = Sexually deviant, sub-human freaks!
Somebody explain to me why Main Bad Guy, Persian King Xerxes is always forcing other men to "kneel before him". Is he supposed to be "gay"? If so, he must be the bad kind of "gay", y'know, "wearing jewelry and presiding over sex orgies, gay", as opposed to the Spartans, who are the good "don't ask, don't tell, rippling abs" kind of "gay".
2) Racism and the allusions to Christ.
Spoiler alert: Good King Leonidas, he of the "freedom isn't free" Spartans dies in a hail of arrows with his arms outstretched in a Christ-like fashion. (I wish I had a picture to show you.) "Damn! Those dark skinned, sexually deviant, sub-human, freak-like, Christ-killin', Je... uh, I mean,... Persians...!"
... and the single most disturbing thing about watching the movie "300"
1) The crazy subtitles.
As I mentioned I was watching a bootleg version and apparently the movie's subtitles were translated from English to a foreign language and back again to English. The resulting gibberish really gave the movie an unintended, but wholly compelling spin. For example, the dramatically delivered line:
"This is Sparta!"
was translated to:
"You must become aware that Sparta is the land you are standing in!"
Good times, baby.... good times...
On a marginally related topic, I would like to hereby start a new movement. Let's stop calling homosexual people "gay". From now on "gay" will be used to reference things that are kind of lame, like Britany Spears showing off her cooch, or the movie "300". For example, if your buddy shows up to work tomorrow with a "flock of seagulls" haircut, feel free to say:
"Dude, that is so gay! And by 'gay' I mean 'lame' not 'homosexual'... um... we're still friends, right...?"
If we as a society insist on using a derogatory term in reference to people of alternate sexual lifestyles, I suggest we use the term: "sly". As in:
"You know that guy Derek in HR? He's on the sly...!"
The term "sly" implies that Derek not only takes male lovers, but that he's somewhat smart and crafty, in a James Bondian sort of way.
... just a thought...
My Cardio Poem
Yesterday, I participated in a day long training session for my YMCA fitness instructors certification. Late in the day, oh... say about hour seven, the students were asked to divide into groups and discuss a fitness component for presentation to the rest of the class. Most of the class took a serious approach, while I decided to write the following poem:
CARDIO POEM
By Ali Williams
*ahem...*
"Cardio fitness is a great way to start,
to improve the efficiency of your heart!
For a minimum of 20 minutes you do your work,
Be sure to stop before you get hurt.
Your stroke volume and cardiac output is much improved,
And an increased number of red blood cells are used!
For reducing tension and increasing energy,
Cardio fitness is fun for you and me!"
-Fin-
CARDIO POEM
By Ali Williams
*ahem...*
"Cardio fitness is a great way to start,
to improve the efficiency of your heart!
For a minimum of 20 minutes you do your work,
Be sure to stop before you get hurt.
Your stroke volume and cardiac output is much improved,
And an increased number of red blood cells are used!
For reducing tension and increasing energy,
Cardio fitness is fun for you and me!"
-Fin-
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